Artissima 2025
Main Section
RAVNIKAR
www.ravnikar.org
Amidst Displacement
Searching for Our Inner Still
This curated presentation from the RAVNIKAR gallery program gathers five contemporary artists—Maja Babič Košir, Simon Kocjančič, Gašper Kunšič, Nevena Aleksovski, and Maruša Meglič—who, through diverse media, navigate the dissonance between personal interiority and collective unrest. Amidst displacement—geographic, emotional, social—each artist’s practice is rooted in a search for stability, presence, and emotional clarity.
Their works, spanning painting, drawing, sculpture, and mixed media, interrogate the fragility of connection in times defined by uncertainty and distrust. Across the selection, themes of identity, memory, trauma, transformation, and resistance emerge—not as declarations, but as sustained reflections. The exhibition becomes a shared space where vulnerability coexists with resilience; where truth is neither absolute nor fixed, but approached through sensory attention and emotional authenticity.
Together, these voices form a collective meditation on instability and resilience. Rather than offering resolution, the exhibition proposes a sustained encounter with fragility—an exploration of what it means to seek stillness in a restless world.
Since 2018, Maja Babič Košir has worked with materials inherited from her father—an industrial designer—reimagining discarded wallpapers, foils, envelopes, and textiles through a slow, meditative collage process. Her Love Letters Series bridges the personal and material archive, unfolding like an intimate dialogue with the past. The layered surfaces embrace imperfection, tactility, and silence, revealing a quiet resistance to linear memory and polished narratives. The works function as sculptural paintings—introspective, sensory, and deeply grounded in the artist’s physical and emotional landscape.
Maja Babič Košir holds BA and MA degrees in Sculpture from the Academy of Fine Arts and Design, University of Ljubljana, and pursued further studies in creative illustration at EINA, Barcelona. Her work has been exhibited at venues such as the Museum of Modern Art (Ljubljana), UGM Maribor, and Cukrarna, and at international fairs including ARCO Lisboa, Vienna Contemporary, SPARK (AT), Zurich Art Weekend, and NADA Villa Warsaw & Miami (US). Her works are included in several public and private collections.
Simon Kocjančič’s So Unreal series explores the disorienting tension between recognition and estrangement. Through recurring motifs—bricks, rugs, cubes—he builds pictorial spaces that suggest both structure and distortion. The ambiguity of these forms produces a jamais vu effect, questioning the reliability of perception in a world saturated with fragmented information. Kocjančič repositions painting as a mode of resistance, pushing back against the superficial clarity of digital culture with tactile uncertainty and emotional charge.
Simon Kocjančič (b. 1979) holds a degree in Painting from the Academy of Fine Arts, University of Ljubljana. His multidisciplinary practice spans painting, drawing, photography, and zines. He has presented solo shows at P74, RAVNIKAR, and ŠKUC Gallery and has exhibited widely in Slovenia and abroad. In 2022, he published Hideout, a collection of analog photography, with PrivatePrint (MK).
In her recent series of minimalist drawings, Nevena Aleksovski reflects on her family’s postwar migration across former Yugoslavia. Sparse yet potent, her works confront themes of displacement, identity, and inherited memory. Fragmented gestures and restrained linework evoke absences, ruptures, and emotional distance. Rooted in personal and archival material, Aleksovski’s drawings act as visual testimonies—reduced, intimate, and quietly political.
Nevena Aleksovski (b. 1984) studied painting at the Academy of Fine Arts in Novi Sad and earned an MA in Cultural Studies from the University of Ljubljana. Her work has been exhibited at ŠKUC Gallery, Britta Rettberg (DE), P74 Gallery, and Cukrarna, and featured in art fairs including Vienna Contemporary, Art Rotterdam, and Zurich Art Weekend. In 2022, she published Melancholy of the Abandoned Lands (PrivatePrint), a book chronicling her family's migration history.
Maruša Meglič’s sculptural installations explore the paradox of ambition and vulnerability in contemporary life. Using contrasting materials—rigid metal and supple silicone—she externalizes internal tensions: control versus surrender, stability versus collapse. These bodily, formal dialogues reflect an existential awareness: the pressure to succeed often coexists with the fear of what that success demands. Her work doesn’t provide commentary but asks, through its presence, what it feels like to be human.
Maruša Meglič (b. 1989) received her MFA in Painting from the Academy of Fine Arts, University of Ljubljana, with additional studies at UMPRUM, Prague. She is a recipient of the Essl Art Award CEE (2015) and has completed residencies in London (T.H.I.S. Studio) and Norway (NKD). She has exhibited at Simulaker, ŠKUC Gallery, MGLC, Chalton Gallery (UK), and Kino Šiška.
Gašper Kunšič creates emotionally charged environments that merge folk aesthetics with contemporary visual language. Drawings from rural iconography and Yugoslav visual culture, he constructs immersive installations that challenge fixed identities. Reworking these motifs through a queer and critical lens, Kunšič’s spaces reject nostalgia as sentimentality. Instead, they activate memory as a site of transformation—warm, unruly, and expansive.
Gašper Kunšič studied at the Universität für angewandte Kunst Wien, Akademie der bildenden Künste Wien, and Städelschule in Frankfurt. His exhibitions include Belvedere21 (Vienna), Schiller-Museum (Weimar), UGM (Maribor), ŠKUC Gallery, Kunstverein Wiesen, and Wien Museum MUSA. He has participated in the Youth Biennial (Belgrade, 2023) and Mediterranea Biennial (San Marino, 2021).
Booth Concept
Wall A: 3 works from Maja Babič Košir’s Love Letters series. Series of 3 framed, double-sided drawings by Nevena Aleksovski, mounted vertically (not horizontally) along the wall.
Wall B: 1 large painting (180 x 160 cm) by Simon Kocjančič.
Wall C: Series of small drawings by Gašper Kunšič.
Booth Floor Area: Sculptures by Maruša Meglič, placed throughout the space.
Les Nouveaux Riches: Ljubljana Art Weekend 2025
https://www.les-nouveaux-riches.com/ljubljana-art-weekend-2025/
9 highlights of Art Brussels 2024
https://www.gallerytalk.net/highlights-art-brussels-2024/
Ljubljana by Silvie Aigner Parnass
https://www.parnass.at/news/cityspot-ljubljana
In the studio: Maja Babič Košir Collectors Agenda https://www.collectorsagenda.com/en/in-the-studio/maja-babič-košir
Through RAVNIKAR gallery and R SPACE, we champion progressive artistic expressions across visual and intermedia arts, presenting a carefully curated program of exhibitions, talks, mentorships, publishing, and international collaborations. Our approach transcends conventional boundaries, embracing fluidity in genre, form, and artistic discourse.
Their works, spanning painting, drawing, sculpture, and mixed media, interrogate the fragility of connection in times defined by uncertainty and distrust. Across the selection, themes of identity, memory, trauma, transformation, and resistance emerge—not as declarations, but as sustained reflections. The exhibition becomes a shared space where vulnerability coexists with resilience; where truth is neither absolute nor fixed, but approached through sensory attention and emotional authenticity.
Together, these voices form a collective meditation on instability and resilience. Rather than offering resolution, the exhibition proposes a sustained encounter with fragility—an exploration of what it means to seek stillness in a restless world.
Maja Babič Košir
Since 2018, Maja Babič Košir has worked with materials inherited from her father—an industrial designer—reimagining discarded wallpapers, foils, envelopes, and textiles through a slow, meditative collage process. Her Love Letters Series bridges the personal and material archive, unfolding like an intimate dialogue with the past. The layered surfaces embrace imperfection, tactility, and silence, revealing a quiet resistance to linear memory and polished narratives. The works function as sculptural paintings—introspective, sensory, and deeply grounded in the artist’s physical and emotional landscape.
Maja Babič Košir holds BA and MA degrees in Sculpture from the Academy of Fine Arts and Design, University of Ljubljana, and pursued further studies in creative illustration at EINA, Barcelona. Her work has been exhibited at venues such as the Museum of Modern Art (Ljubljana), UGM Maribor, and Cukrarna, and at international fairs including ARCO Lisboa, Vienna Contemporary, SPARK (AT), Zurich Art Weekend, and NADA Villa Warsaw & Miami (US). Her works are included in several public and private collections.
Simon Kocjančič
Simon Kocjančič’s So Unreal series explores the disorienting tension between recognition and estrangement. Through recurring motifs—bricks, rugs, cubes—he builds pictorial spaces that suggest both structure and distortion. The ambiguity of these forms produces a jamais vu effect, questioning the reliability of perception in a world saturated with fragmented information. Kocjančič repositions painting as a mode of resistance, pushing back against the superficial clarity of digital culture with tactile uncertainty and emotional charge.
Simon Kocjančič (b. 1979) holds a degree in Painting from the Academy of Fine Arts, University of Ljubljana. His multidisciplinary practice spans painting, drawing, photography, and zines. He has presented solo shows at P74, RAVNIKAR, and ŠKUC Gallery and has exhibited widely in Slovenia and abroad. In 2022, he published Hideout, a collection of analog photography, with PrivatePrint (MK).
Nevena Aleksovski
In her recent series of minimalist drawings, Nevena Aleksovski reflects on her family’s postwar migration across former Yugoslavia. Sparse yet potent, her works confront themes of displacement, identity, and inherited memory. Fragmented gestures and restrained linework evoke absences, ruptures, and emotional distance. Rooted in personal and archival material, Aleksovski’s drawings act as visual testimonies—reduced, intimate, and quietly political.
Nevena Aleksovski (b. 1984) studied painting at the Academy of Fine Arts in Novi Sad and earned an MA in Cultural Studies from the University of Ljubljana. Her work has been exhibited at ŠKUC Gallery, Britta Rettberg (DE), P74 Gallery, and Cukrarna, and featured in art fairs including Vienna Contemporary, Art Rotterdam, and Zurich Art Weekend. In 2022, she published Melancholy of the Abandoned Lands (PrivatePrint), a book chronicling her family's migration history.
Maruša Meglič
Maruša Meglič’s sculptural installations explore the paradox of ambition and vulnerability in contemporary life. Using contrasting materials—rigid metal and supple silicone—she externalizes internal tensions: control versus surrender, stability versus collapse. These bodily, formal dialogues reflect an existential awareness: the pressure to succeed often coexists with the fear of what that success demands. Her work doesn’t provide commentary but asks, through its presence, what it feels like to be human.
Maruša Meglič (b. 1989) received her MFA in Painting from the Academy of Fine Arts, University of Ljubljana, with additional studies at UMPRUM, Prague. She is a recipient of the Essl Art Award CEE (2015) and has completed residencies in London (T.H.I.S. Studio) and Norway (NKD). She has exhibited at Simulaker, ŠKUC Gallery, MGLC, Chalton Gallery (UK), and Kino Šiška.
Gašper Kunšič
Gašper Kunšič creates emotionally charged environments that merge folk aesthetics with contemporary visual language. Drawings from rural iconography and Yugoslav visual culture, he constructs immersive installations that challenge fixed identities. Reworking these motifs through a queer and critical lens, Kunšič’s spaces reject nostalgia as sentimentality. Instead, they activate memory as a site of transformation—warm, unruly, and expansive.
Gašper Kunšič studied at the Universität für angewandte Kunst Wien, Akademie der bildenden Künste Wien, and Städelschule in Frankfurt. His exhibitions include Belvedere21 (Vienna), Schiller-Museum (Weimar), UGM (Maribor), ŠKUC Gallery, Kunstverein Wiesen, and Wien Museum MUSA. He has participated in the Youth Biennial (Belgrade, 2023) and Mediterranea Biennial (San Marino, 2021).
Booth Concept
Technical Layout
Wall A: 3 works from Maja Babič Košir’s Love Letters series. Series of 3 framed, double-sided drawings by Nevena Aleksovski, mounted vertically (not horizontally) along the wall.
Wall B: 1 large painting (180 x 160 cm) by Simon Kocjančič.
Wall C: Series of small drawings by Gašper Kunšič.
Booth Floor Area: Sculptures by Maruša Meglič, placed throughout the space.
Press
Les Nouveaux Riches: Ljubljana Art Weekend 2025
https://www.les-nouveaux-riches.com/ljubljana-art-weekend-2025/
9 highlights of Art Brussels 2024
https://www.gallerytalk.net/highlights-art-brussels-2024/
Ljubljana by Silvie Aigner Parnass
https://www.parnass.at/news/cityspot-ljubljana
In the studio: Maja Babič Košir Collectors Agenda https://www.collectorsagenda.com/en/in-the-studio/maja-babič-košir
RAVNIKAR PROJECTS is a non-profit arts organization dedicated to fostering emerging and established voices in contemporary art. As a dynamic platform, it forges vital connections between independent artistic practices and the wider cultural landscape, nurturing dialogue, engagement, and critical thought.
Through RAVNIKAR gallery and R SPACE, we champion progressive artistic expressions across visual and intermedia arts, presenting a carefully curated program of exhibitions, talks, mentorships, publishing, and international collaborations. Our approach transcends conventional boundaries, embracing fluidity in genre, form, and artistic discourse.
Beyond exhibition-making, RAVNIKAR is an active force in shaping the contemporary art ecosystem—advancing the careers of artists from the region internationally, cultivating new audiences, and fostering sustainability within the arts. Flagship initiatives such as LJUBLJANA ART WEEKEND, the co-founding of ETC. magazine, and participation in major art fairs underscore our commitment to cultural innovation and exchange.
A proud member of the New Art Dealers Alliance and the Gallery Climate Coalition, RAVNIKAR is dedicated to the future of contemporary art—bold, inclusive, and ever-evolving. Our work is supported by the Municipality of Ljubljana and the Ministry of Culture.
Contact
RAVNIKAR©2024
Instagram: @ravnikargalleryspace
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